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Based on the success of "The Robe," Burton was offered a seven-year, $1 million contract by 20th Century Fox chief Darryl F. All seemed to be charmed by the newcomer, save for one star - a young Elizabeth Taylor, then married to actor Michael Wilding, who found Burton somewhat self-impressed. He soon fell in with the Hollywood establishment via Mason, who introduced him to such major figures as Humphrey Bogart, Judy Garland and Cole Porter. A colossal hit, it gave Burton his second Oscar nomination, and minted him as a genuine movie star. He further impressed by holding his own opposite James Mason in the wartime action-drama "The Desert Rats" (1953).īut it was "The Robe" (1953), a Biblical epic that cast him as decadent Roman whose guilt over crucifying Jesus Christ is only assuaged by converting to Christianity, which put him on the American filmgoer map. The picture earned Burton his first Oscar nomination, as well as a Golden Globe for New Star of the Year.
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A stage performance in "The Lady's Not For Burning" opposite Gielgud and Claire Bloom further convinced theatergoers that Burton was the next great British actor, a notion that was cemented in 1951 when Anthony Quayle tapped him to play Prince Hal in "Henry IV" and "Henry V." Word of his talent reached Hollywood, where in 1952, he made his American feature debut in the mystery-romance "My Cousin Rachel" opposite Olivia de Havilland. Critics took immediate notice of his commanding voice and presence by the time he had made his second film, "Now Barabbas Was a Robber" (1950), he was earning comparisons to Sir Laurence Olivier. In 1949, he made his movie debut in the British drama "The Last Days of Dolwyn," about a Welshman who returned to his hometown with news of its imminent destruction. The young actor also secured an acting contract for 500 pounds a year - more than his entire family had earned in their lives. Philip Burton briefly secured leave for his ward to appear in a BBC television production of "The Corn is Green" in 1946, which began a string of small screen appearances. Conscription briefly interrupted his career, but after serving in the Royal Air Force as a navigator from 1944 to 1947, he headed for London to make his way as an actor. While at Exeter, he appeared in his first significant Shakespearean role - Angelo in "Measure for Measure" - before an audience that included such important theatrical figures as John Gielgud and Terence Rattigan. Those words would solidify Burton's resolve to become an actor. The show was successful enough to move to London, where he received his first positive review in the New Statesman magazine.
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In order to gain admittance as an undergraduate, Philip Burton was required to adopt the young man after discovering that it was legally impossible to do so, he made Richard his ward, and changed his surname to Burton.īefore leaving for Exeter, Burton made his professional acting debut in the play "The Druid's Rest," in 1944. After receiving his school certificate, Richard was accepted to Exeter College at Oxford for a special term of study. Burton rigorously schooled him in both literature and acting, even sending him to Welsh mountaintops to work on voice projection. His commanding officer at the Corps, Philip Burton, was also one of his schoolteachers, and recognized his growing fascination for poetry, particularly that of Welsh writer Dylan Thomas.
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There, he began appearing in school performances, and made his radio debut in a documentary about the Air Training Corps, of which he was a member. At 15, he abandoned school to work as a haberdasher's assistant, but despised the menial work.Īlready a dedicated smoker and regular drinker by his early teens, Burton was teetering on the edge of a dreary life when his schoolmaster, Meredith Jones, found him at a local youth center and persuaded the area school committee to re-admit him to grammar school. Though he excelled at school, especially in English and Welsh literature, his interests were geared more toward rugby and cricket. Another sibling, Ifor, who was 19 years older than Burton, became his de facto father figure, and in later years, his assistant and boon companion. Because his father was a heavy drinker and gambler whose lively personality hid a streak of violence, at age two, Burton was adopted, more or less, by his sister Cecilia and her husband, Elfed, and raised in Port Talbot. 10, 1925, the twelfth of 13 children born to Richard "Dic" Jenkins and his wife Edith, who died at the age of 44 while giving birth to the thirteenth child. He began life as Richard Walter Jenkins in Pontrhydyfen, a mining town in South Wales, on Nov.